Norman McLaren

| March 4, 2014

In his work, McLaren explores the feeling of movement moving. He asks: How do we activate this feeling, and keep it active in perception? To make incipiency appear.

Erin Manning, Relationscapes, 214.

For me, the ‘purest’ cinema is that which communicates the essential information, thought, and sentiment by movement itself, and allows no other factor or almost to intervene.

Norman McLaren