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E is for The Emancipated Spectator, the Socially Engaged Art, the Poem 

Next up in my chain of play-on-words posts comes this spin on Louise Rosenblatt’s work of reader-response theory, The Reader, the Text, the Poem. Here, I’ve connected Rosenblatt (“the Poem”) to both Rancière (“The Emancipated Spectator”) and Bishop (“the Socially Engaged Art”). Reader-response theory, for anyone who might be unfamiliar with it—obviously this doesn’t apply …

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G is for Godot’s Paradox 

I was debating between “D is for Documentation” and “E is for Evaluation” for this post, because it’s about both, but it turns out I needed the letters. Such a sacrifice. Well, it’s also about the paradox of Godot, New Orleans (one of the socially engaged art projects in Artificial Hells), so I’m going with …

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